|
Susan Hurley (born 1946) is an American composer living and working in Los Angeles, California. Hurley's compositional style is an "unusual, unique voice () highly individualistic."〔Buffalo News , Buffalo, New York, September 1988〕 Her work "defines () two opposing characteristics of the post-minimalist style – lyricism and rhythmic drive . . .”〔 The 1992 piece "Gallery Music for Harp" examples this by engaging the listener with "a strong introductory flourish" developing into "gentle, otherworldly sounds.”〔Lawrence Vittes, LA Reader, January 31, 1992, p. 37〕 This alternation between opposites is observed again in a review of "Vermont Poems" and its harmonic reliance on "shifts between unisons and dissonants" 〔Review of Vermont Poems, Susan Hurley, Chorus! Magazine〕 The range of the instruments used by Hurley is broad, including ancient and subtle instruments such as the clavichord and older compositional vehicles such as the chamber opera. Hurley wrote one such opera based on the lives of Anaïs Nin and Rupert Pole. This was commissioned by Joan Palevsky of Los Angeles. Palevsky had been "instrumental" in securing a transfer of the papers of Anaïs Nin to UCLA.〔The UCLA Senate obituary for Page Ackerman University Librarian, Emerita, makes reference to Palevsky's effort in paragraph seven of that document. (University of California Senate reference )〕 The commission was part of this effort. Hurley was born in Massachusetts and raised in Vermont. ==Education== *American Conservatory, Fontainebleau, France, studied under Nadia Boulanger, and others. *Eastman School of Music, MM, composition, 1982 *Indiana University’s School of Music, DM, composition, 1988 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Susan Hurley (composer)」の詳細全文を読む スポンサード リンク
|